(Source: cactuseeds, via cuntakinte)

stereogum:

Grimes performs at this weekend’s Pemberton Music And Arts Festival.

(via den-mate-is-back)

my fucking god it’s nights like these where it fucking hurts 

sokopodo:

Tigers Jaw - I Saw Water (x) sokopodo:

Tigers Jaw - I Saw Water (x)

sokopodo:

Tigers Jaw - I Saw Water (x)

(via reaume)

farcticm0nkeys:

i wanna contribute to the chaos, i don’t wanna watch and then complain. x
farcticm0nkeys:

i wanna contribute to the chaos, i don’t wanna watch and then complain. x

farcticm0nkeys:

i wanna contribute to the chaos, i don’t wanna watch and then complain. x

(via reaume)

bromaprieta:

She’s on his mind, day and night,

Says he takes her for granted, but to her surprise,

He needs her more than she needs him


How Do I Tell a Girl I Want to Kiss Her? - Modern Baseball

(Source: thedandiestlandscape, via thedandiestlandscape)

(via hatelyn)

shshank:

Front Porch Step - Drown
shshank:

Front Porch Step - Drown

shshank:

Front Porch Step - Drown

(via hatelyn)

spiritualjournies:

calebbabcock:

Bed views the last 2 mornings.

i don’t think i’ve ever been so jealous of anything in my life.

(via reaume)

(Source: pushthemovement, via reaume)

(Source: girlsharkglory, via skwiddy)

weedjoke420:

no offense but what the fuck am i doing

(via supernovaqirl)

asylum-art:

Berlinde De Bruyckere.:Suffering and Protection
Flemish sculptor creates sculptures and drawings of suffering human bodies that resemble nothing so much as reality. It mixes in his sculptures on religious grounds and media images and writes the Christian motif of the human suffering in the contemporary era. The confrontation with the body that engages the artist led to questions about the ethics of our society and are the place to fundamental questions about the nature of the human being.
These disturbing and uncannily lifelike sculptures by Belgian artist Berlinde De Bruyckere are incredibly visceral and eerie. The repulsion instinctively triggered in the viewer comes from their verisimilitude, and the sense of reality of this nameless, grotesque, distorted, half-human, seemingly fluid flesh; combined with their beauty, the delicate, subtle mottling of colors, the pure realistic visceral fleshiness of the works, and their technical grace.